In this large piece titled
la naissance de Venus c1879,
The birth of venus, Venus the
goddess of love can be seen standing in an oyster shell having emerged from the
sea as a full grown woman. This piece is not a depiction of the actual birth but
of her being transported across the water on the oyster shell. She is surrounded
by her subjects and a chorus of cherubs celebrate her arrival. She has an
innocent yet sensually
seductive look about her as she is being admired by the nymphs and Centaurs who
wait around her. The cherub sitting on the dolphin stares up admiringly as
Venus
gently teases her hair with her hands. The beautiful young nymph behind him
stares up at Venus with
an equally alluring glance recognising the out standing beauty of the goddess
before her. Centaurs use conch shells to trumpet her arrival while another gazes
upon her from behind.
This painting is a brilliant example of William Bouguereau's
knowledge, understanding and
skill when portraying the human body. His use of line and colour produce an
almost photo like depiction of his subjects portraying not only their character
but their physical presence aswell.
I have noticed through out my research of Bouguereau's work the
similarity and use of certain subjects in some of his paintings. In
this piece dated 1879 he has portrayed Venus in an almost identical
pose to that of a nymph standing to the left
of another large piece titled
Nymphaem (1878) who is also playing
with her hair.
The above account is my interpretation of the work and should in
no way be taken as fact.